Narelle Ahrens is a NZ Actor, Voice Over Artist, Singer & Foley Artist who has been working professionally in the industry since graduating from Victoria University of Wellington with a BA in Theatre & Film, and English Literature in 1995.
Narelle has performed roles in over 30 productions in Television and Film. Highlights include being nominated for Best Actress at the NZ Film Awards for her performance in the internationally award-winning short film “I’m Going to Mum’s”, which premiered at the prestigious Berlinale International Film Festival. And recently playing the lead role of DeeDee Blancharde in US TV show James Patterson’s “Murder Is Forever”.
Narelle has acted extensively in theatres throughout NZ including Bats Theatre, Downstage, Circa and the Fortune Theatre in Dunedin. Highlights include roles in two acclaimed NZ Premieres, the award winning “The Love of HumanKind” by Brian Sergent at Circa Theatre and “The Paradise Package” by Geraldine Brophy at the Fortune.
Narelle has trained for screen under a number of recognised tutors including Perry Piercy, Tina Regtien, Diana Rowan and Vicky Yiannoutsos. Training in the Meisner Technique with Michael Saccente also led to Summer Season training in New York at the prestigious Neighborhood Playhouse in 2004. Most recently, Narelle has also been invited to train in masterclasses with the inspiring talents of Stuart Devenie, Fiona Samuel, Jennifer Ward-Lealand and Miranda Harcourt.
For the last 20 years Narelle has also been part of NZ’s favourite No 1 girl-group TheBeatGirls, performing throughout NZ and Internationally, the highlight being a performance as the headline act for Sports Illustrated and Holden at the 2000 Sydney Olympics.
Outside of acting, Narelle is an in-demand Voice Over Artist for Short Films, Radio, & Television, and is a recognised voice for some of NZ’s biggest brands.
Narelle is also one of the most experienced Foley Artists in NZ. Since 2001 she has performed foley for feature films such as Lord of the Rings and a number of New Zealand’s most successful hit TV shows, telefeatures, and short films, including Outrageous Fortune, Westside, Fresh Eggs & The Deadlands.
New Zealand acting icon Lisa Chappell first won fame in 1980s soap Gloss, playing rich brat Chelsea Redfern. She went on to do a stint of theatre in Palmerston North including being a breakfast DJ on 2XS, played Velma in the musical Chicago and joined TV cop drama Shark in the Park. Her first film role followed in big screen period piece Desperate Remedies, followed by the quirky Jack Brown Genius produced by Peter Jackson. After a variety of theatre and TV roles including The Herbal Bed, All My Sons, Hercules and City Life, Chappell decamped to Australia, where she won two Logie awards during a three year run on international hit McLeod's Daughters. Since releasing her debut album, she has won a Qantas award for a gun-toting role in Kiwi TV drama The Cult, is a regular performer with Auckland Theatre Company and has written a number of critically acclaimed plays. Her acting career continues unabated across New Zealand and Australia in theatre, film and TV.
Jodie Dorday debuted her theatre career with ATC’s Dancing at Lughnasa in 1995 and the stage is still her favourite place to be! She has also been involved with Take a Chance on Me and All My Sons with ATC, Sylvia in Wellington, and Social Climbers and Midsummer Night’s Dream in Palmerston North. When in Australia, Jodie played Goneril opposite Barry Otto as Lear in Sydney Theatre Company’s King Lear – an extraordinary experience! Jodie picked up the Best Supporting Actress Award for the film Via Satellite in 1997. Other notable TV roles include the TV series Burying Brian. Jodi trained for 15 years in dance and worked alongside her Mum Debbie at Burgundys for a good few years making people laugh!
P E T E R F E E N E Y
Peter is a very gifted young actor who will always be genuinely interested in exploring his work and finding new approaches to it, and opening this out to his fellow actors.
Cicely Berry, OBE, Voice Director, Royal Shakespeare Company.
Peter, a professional actor based in Auckland and Melbourne, has acted in TV, film & theatre since 1994. He has also taught actors since 2001, and is passionate about the need for them to develop a reliable technique if they are to flourish in the profession. He runs his own Studio, has been a facilitator for NZ Screen Director’s Guild Workshops, is a tutor in the leading NZ Drama School The Actors Program, and occasional on set acting coach.
Peter has performed at the Fortune, Court & Circa theatres in New Zealand, and The QTC in Australia; as well as numerous independent theatre productions. His acclaimed one man show A Night with Beau Tyler toured in 2008 & 2009 to 25 theatres around New Zealand. He has worked or trained at different times with Cicely Berry (Royal Shakespeare Company), Bob Benedetti (US Emmy Award winning Television producer and Broadway Theatre Director), Rob Marchand and Dean Carey. Notable credits over a long career include the Kiwi zombie hit Black Sheep; Australian mini-series A Difficult Woman, UK TV Dark Knight and Cold Feet, numerous US TV & tele-features, including in 2015 a prominent role in Ash versus Evil Dead, and in the same year playing the iconic Rose Noelle skipper John Glennie alongside Dominic Purcell (Prison Break) in Abandoned (winner of best tele-feature at the 2017 NZ Film Awards).
In 2016 Peter had a regular role in NZ TV series Dirty Laundry as well as a guest role in Wentworth and ongoing multi-episode roles on Wanted 2, Dear Murderer and season 2 of Cul de Sac. In 2017 he worked on the NZ Feature film Vermillion & TV series Wilde Ride, and the Australian based TV series Harrow. He’s recently finished as a guest actor on the latest series of Brokenwood.
Peter also works as a director, casting director and writer. He is a published author – his first book Blind Bitter Happiness was also serialised on Radio NZ and in Metro magazine - and occassional travel writer. Directorial outings include the Australian play Milo’s Wake, which toured NZ in 2005/6 (in which Peter also played the title role) and more recently the Australian play Between Two Waves. Peter was casting director for the TV series The Amazing Extraordinary Friends and recently casting director and acting coach for the John Harris short films Every Little Thing and It’s not what happens. He is completing his second book this year, and is prepping to film in early 2019 a short film for the Media Design School, based on his own feature film (in development).
Peter has a 1st Class Honours degree in Politics & History from the University of Melbourne (1991) and a Diploma in Drama from the University of Auckland (1993). He was Nominee for Best Actor in the 2003 NZ Film Awards for his role in the film The Platform. He is represented in NZ by Kathryn Rawlings & Associates and in Australia by Lisa Mann Creative Management. His CV & Show reel can be found on Showcast.
Emmett is a New Zealand born actor, director and screenwriter and has worked in over 40 productions in film, TV and stage, with most recognising him as the young God-in-the-making, Axl, from TV3’s The Almighty Johnsons.
Emmett has gained a passion for writing and directing, most recently directing Shortland Street, the film Thirteen Suspects, written by Rachel Lang, and Auckward Love, which he also co-wrote and produced. Emmett is also a regular tutor, mentor and advisor to the board at the Auckland based drama school, The Actors' Program, and is a co-creator of a new program The Directors' Program.
Emmett’s passions as a director lie in honest, raw and connected work, with a strong focus on relationships and emotional history.
Joel Tobeck is one of New Zealand’s busiest actors. Born into a theatrical family, he acted in a number of early titles directed by Niki Caro, including Cannes-nominated short film Sure To Rise (1994) and Caro’s first feature Memory and Desire. In 1997 Tobeck won a NZ Film and TV award for Topless Women Talk About Their Lives, playing wannabe partner to Danielle Cormack’s character. He re-teamed with Cormack for offbeat drama Channelling Baby, and played the bad guy in both the first Lawless telemovie (winning him another acting award) and This is Not My Life. Tobeck has played lead roles in the American television hit Sons of Anarchy and the Australian series The Doctor Blake Mysteries. In Little Fish he played against Cate Blanchett, was Geena Davis’s husband in Accidents Happen, and has worked with Ben Mendelsohn in Tangle.
‘I don’t have classic good looks … but then I’d rather play the off-centre roles. I’m quite happy playing a drug addict or the bastard in the wheelchair.’
Jonathan is a New Zealand-born director of film & television, based in Melbourne, Australia. Equally acclaimed for his work in comedy and drama, his television credits include The End, a black comedy about assisted dying featuring Frances O’Connor & Harriet Walter that will screen on Sky Atlantic (UK) and Foxtel (Aus) early in 2020, Rosehaven Series 1,2 & 3, Ronny Chieng: International Student, The Family Law, The Unauthorised History of New Zealand & Eating Media Lunch and Outrageous Fortune. With a great affinity for working with comedians, he has won two Australian Directors’ Guild Awards for Best Director, Comedy – in 2016 for his work on Sammy J & Randy in Ricketts Lane and again in 2018 for Rosehaven.
He has also made several acclaimed short films including The Model (Official Selection Cannes Film Festival), Permanent Wave (London & Sydney Film Festivals), No Ordinary Sun (‘Best Short Film’ New Zealand International Film Festival 2005 / Official Selection Edinburgh / Hof / Slamdance) and Snowmen (in competition, Interfilm Berlin/ Pacific Meridian Film Festival).
Born and bred in Auckland, Stephen Campbell managed to make his way into television after a number of years in advertising, where he did everything from copywriting to art directing.
In the mid 80s he applied — more than once — to join TVNZ’s producer training scheme. A fortnight after being told he’d finally succeeded, Campbell found himself in a TVNZ staff cafe in Christchurch, surrounded by extras dressed as spacemen and cowboys. “That was when I was completely sold,” he says. “I thought: I’ve arrived. And I’m staying.”
The scheme saw Campbell on attachment for a year to TVNZ’s Children and Young Personʼs department. Here immortal children’s character Thingee enters the story. One of Campbell’s first breaks was directing an After Schoolsegment which saw one of the hosts tell a lighthearted historical tale, alongside illustrations drawn by Campbell. One story was about a ‘plucked duck’; a duck mistaken for dead after the local pond got infected with beer. After School producer Bryan Allpress liked the illustrations so much, he suggested the duck could have the makings a great character elsewhere.
At the end of year Campbell was one of eight out of 40 chosen for two further years of producer training. Allpress then gave him the task of taking the duck images and designing and supervising construction of a new character, Thingee(so named, because no one had thought of a better one). Thanks also to the voice talents of Alan Henderson, co-hosts Thingee and Jason Gunn would win a legion of fans, starting with After School.
In 1989 Campbell headed back to Auckland, to produce five day a week teen show 3:45 LIVE (Campbell alternated directing with John Milligan). The show proved so popular that the first time viewers were invited to ring in and pick their favourite music clip, the Auckland telephone exchange crashed from the strain.
After time on TV3 children's series Early Bird Show and Yahoo, Campbell freelanced as a writer/director on a variety of sketch comedy series, including Funny Business and That Comedy Show.
He also co-created award-winning magazine show Ice TV. Campbell wrote and directed many of Ice TV's most popular segments, including ongoing parodies of hospital and cop dramas. “Jon (Bridges), Nathan (Rarere) and Petra (Bagust) were incredibly good on camera,” says Campbell. “They were having a lot of fun and I think it just came across.”
In 2002 he created Greenstone TVʼs ambitious, “gag-heavy” Secret Agent Men. The show revolved around a group of Kiwi teens helping save the world from villains with plans to take over the world. The second season was named best children's programme at the 2005 Qantas Television Awards, and the show sold to multiple countries.
The longtime superhero fan's next series was originally pitched as The Fantastic Friends, but the release of Marvel movie Fantastic Four saw it retitled The Amazing Extraordinary Friends. As director and chief writer, Campbell oversaw production through three seasons and two accompanying web series. Although made on a far from heroic budget, the show's makers didn’t “shy away from galactic androids being chased into the sun.” Another international success, the tale of schoolboy superhero (Carl Dixon) and his grandad (David McPhail) was nominated for awards in Rome and NZ, and picked up another in Korea.
Campbell went on to direct and contribute writing to Nigel Lattaʼs The Politically Incorrect Guide to Teenagers and The Politically Incorrect Guide to Grown Ups, which saw Latta doing pieces to camera everywhere from jet cockpits to glaciers. Campbell also directed on follow-up show The Hard Stuff.
In 2012 he produced The Radio, which saw Jeremy Corbett and Paul Ego playing incompetent radio hosts.
In 2015 Campbell debuted his next show. Science fiction thriller The Cul De Sac centres on a group of teenagers who wake up to find all the adults have mysteriously disappeared. The ambitious, twist-filled dystopia ran for three seasons. Campbell directed all but three episodes.
Born in the UK, Carl’s an actor, director and producer. He’s worked on over 30 productions in TV, Film and theatre spanning 13 years in the performing arts. Highlights include playing Orsino in Twelfth Night and Montague in Romeo & Juliet in the wildly successful Pop-up Globe in 2016, and in 2014 Henry in The Great Maiden’s Blush’ (winner best Independent Feature at the 2016 NZ Film Awards. Carl's directing debut was in 2009. He’s since directed a dozen plays, all of which received rave reviews and a number of awards. In 2018, he formed Café Theatre which won three awards in the Short+Sweet Festival, including Judges Choice Award. He’s in the final stages of post on his first short film “Pohutukawa” which is expected to be released at the end of 2020. Carl has had extensive masterclass training in the Meisner technique along with a plethora of master acting and directing coaches on a variety of techniques which he now draws from in his own teaching. These approaches include Ivana Chubbuck, Mathew Harrison, Uta Hagen, Mark Travis and many more. He is now undergoing certification training on the Travis Technique.
Louise Leitch - Director
In the competitive short film environment, the New Zealand Film Commission (NZFC) have supported Louise to direct three films including WHAKATIKI, which premiered in competition at Tribeca in 2012 and screened at over 25 international festivals. WHAKATIKI won Best Short Film at First Peoples’ Festival Montreal, Best Actress in a Short Film at NZ Film Awards (where it was also nominated for Best Short Film and Best Actor in a Short Film) and Best Actress in a Short Film at Wairoa Film Festival. It has screened on Maori Television, Rialto, Lightbox and Shorts International. Critics called it “beautiful, beguiling and evocative.” “A charming short with a warm heart”.
On working with Louise on Premiere Short DANCERS (Jury Prize Woods Hole Film Festival) actor Sophie Henderson (FANTAIL) states: “Louise is a thoughtful and collaborative director with a deep appreciation for the actor/director relationship. She has sharp instincts for character. I trust her taste and ideas implicitly.”
The NZFC have provided development funding for two feature films to be directed by Louise including MOUNTAIN (producer Alex Clark, writer Gregory King).
Supporting her film credentials, Louise has directed close to 200 episodes of Australian television drama including top-rating HOME & AWAY (who also engaged Louise to mentor and train directors) and two series of Screentime production, BREAKERS (lead director Series 2).
Louise has studied with Drama Coach Miranda Harcourt (LION), undertook a five week attachment with Dramaturg Nico Lathouris (MAD MAX FURY RD, WILDSIDE, HEARTBREAK HIGH) and attended five workshops with Robert Bella, Atlantic Theatre Company, NY.
In 2015 Louise was awarded a five-week paid directing attachment (by competitive selection process) on international series, ASH VERSUS EVIL DEAD (lead director, Sam Raimi, SPIDERMAN) to expand her skills and knowledge of large-scale stunts, SFX and VFX.
In 2016 Louise wrote, produced and directed Loading Docs film, SAME BUT DIFFERENT (RNZ Top Pick). In 2018 Louise directed prime-time docu-drama series FORENSICS.
Louise grew up in Australia and graduated from Canberra University with a BA Communication and Media. She began her career directing award-winning films for blue-chip clients including Qantas, Westpac Bank, the Australian Government, Salvation Army, Cancer Council and Coca-Cola Amatil.
Louise is Vice President of Directors and Editors Guild NZ and is currently participating in ongoing intimacy coordination training with UK based Intimacy Coordinator, Ita O’Brien.
The youngest child of immigrants from Hong Kong, Roseanne Liang was all set to follow her two sisters into medical school. But when the high school dux was encouraged by her siblings to defer for a year to try other things, Liang put aside becoming a doctor to concentrate on filmmaking.
In 2005, Liang released her hour-long documentary Banana in a Nutshell, based on her own romance with a European Kiwi "Banana in a Nutshell was originally a short documentary I devised to distract me from the highly emotional events that I knew I would have to get through." said Liang. "The camera was something to hide behind." The title refers to Asians (yellow on the outside) brought up in Western society (white in the inside). Liang continued the story with a 30 minute epilogue for the film's DVD release.
At Banana in a Nutshell's premiere, producer John Barnett offered Liang the opportunity to turn her documentary into a narrative feature. Liang has described it as an "'angels chorus' moment". "Most film graduates want the opportunity to make a feature film and it's a really hard road. But to have someone stride up to you and offer it to you is an incredibly lucky happenstance." In 2005 Liang was named New Filmmaker of the Year by screen organisation SPADA.
In 2017, Liang signed with an American agent, after directing action short Do No Harm. The bloody action film, which premiered at the 2017 Sundance Film Festival, is about a Chinese surgeon facing off against gangsters just as she's about to operate. The film was funded by the NZ Film Commission as a proof of concept for an action film Liang was developing. Do No Harm won several awards, including the Audience Award for favourite short at the 2017 NZ International Film Festival and a nomination for Best Short Film at Sundance.
By 2018, the success of Do No Harm and My Wedding and Other Secrets had brought Liang to the attention of the 50 studio executives and producers behind the Alice Initiative, named after pioneering female filmmaker Alice Guy Blaché. They named Liang as one of 20 female directors from around the globe who merited a directing gig with a Hollywood studio.
In late 2018, Liang announced she was set to develop and direct the feature-length version of Do No Harm, produced by husband and wife filmmaking team David Leitch and Kelly McCormick (Deadpool 2, Atomic Blonde).
Vincent Ward has won an international reputation as an original and visionary filmmaker. Vigil and The Navigator played in competition at the Cannes Film Festival (the first New Zealand features to do so). Docudrama Rain of the Children (2008) revisited people from his 1980 documentary In Spring One Plants Alone. Ward also directed Robin Williams afterlife drama What Dreams May Come.
“I'm interested less in objective or social realities than in private realities, so it's a special kind of landscape I'm exploring, an interior landscape”
Rita graduated from the UNITEC School of Performing and Screen Arts in 1998, and has since taught at UNITEC, Massey University, Auckland University and The Actors’ Program.
In 2000 she founded the Legacy Theatre Company; directing, producing and/ or performing in outdoor productions of A MIDSUMMER NIGHT’S DREAM (Dir Rita Stone, 2000), MEASURE FOR MEASURE (Dir Richard Rugg, 2001), THE TAMING OF THE SHREW (Dir Jarrod Tuck, 2002), and AS YOU LIKE IT (Dir Tim Faville, 2004), as well as coordinating Theatre in Education schools’ tours around Auckland of abridged Shakespeare scenes.
Rita traveled to London in 2004 and took a course at Shakespeare’s Globe, returning again in 2011 with the Shakespeare Globe Centre NZ (SGCNZ)’s ‘Teachers Go Global’ scheme, where she trained at the Globe Education Centre and performed in MUCH ADO ABOUT NOTHING, directed by Bill Buckhurst, on the Globe stage.
Rita holds a Secondary Teaching qualification in English and Drama and was Assistant HOD of Drama at Western Springs College in 2011. For Western Springs College, Rita has directed A MIDSUMMER NIGHT’S DREAM, OUR TOWN, TWELFTH NIGHT and MOTHER COURAGE AND HER CHILDREN – for which she won Outstanding Play at the 2011 AMI Showdown Awards and was nominated for Best Director. She was the SGCNZ University of Otago’s Sheilah Winn Shakespeare Festival Auckland Central Representative 2010-2011, and in 2013 she directed an all-female production of MEASURE FOR MEASURE at the Titirangi Theatre.
In 2012, Rita founded the Young Auckland Shakespeare Company which produced THE TAMING OF THE SHREW (Dir Rita Stone, 2012), and MACBETH (Dir Jaque Drew, 2013-2014) ROMEO & JULIET (Dirs Paul Gittins and Calum Gittins, 2015), MUCH ADO ABOUT NOTHING (Dir Rita Stone, 2016) and THE MERRY WIVES OF WINDSOR (Dir Stuart Devenie, 2017).
In 2016 Rita directed LUCRECE (“…a visually stunning show”) for the Auckland Shakespeare Company, and for the Pop-up Globe she directed the gender-reversed JULIUS CAESAR (“… a plethora of strong performances aided by Stone’s direction and a fresh take on the classic play mean it’s not one to miss.”) in 2018.
Brigid Costello is a movement director and choreographer. She began her professional career with the Royal New Zealand Ballet before studying theatre and education at Victoria University. Brigid has worked around NZ and internationally, initially as a performer, and now as a choreographer, director and yoga teacher. She has created a number of full length physical theatre works and has directed both actors and dancers in a wide range of settings. In her most recent movement direction with the Pop-Up Globe, Brigid worked on 12 different productions in Auckland, Melbourne and Sydney.
Movement workshops with Brigid will cover a range of techniques for connecting the body, mind and breath. Sessions will explore ensemble movement, creating physicality for specific roles, using space with intention, and setting up optimal posture for acting through physical conditioning.
Rebekah Dack graduated from drama school in 2017 and since then has been working extensively in the industry as an actor, producer and voice & dialect coach, and is a co-founder of Embers Collective, an emerging theatre company. Her love for voice work was cultivated during her acting training, and she got to really put that into practice while working on The Crucilble, directed by Alexandra Whitham, as the voice & dialect coach last year. She plans on going to London to get a Masters of Voice from the Royal Central School of Speech and Drama in the next few years. She's very excited to come on board as the voice tutor for Actors Lab 2019!
Lori Dungey has been a professional actor, improvisor, writer & tutor for over 35 years. The first Artistic Director of The Improvisors, she remains one of New Zealand's most experienced and finest improvisors. She has performed in and devised over 50 improvised productions, including Suspect: A Game of Murder (which toured Canada, Sweden, USA, Australia & NZ) and Austen Found (Wellington, Auckland & Adelaide). She has taught Improv in Germany, Singapore & Australia. She is currently the Education Director for the Theatresports Youth Program that runs in 24 high schools and is a Creative Director of ConArtists, a company that produces public Improv shows as well as corporate training and entertainment. She is a voice artist for the TV show Power Rangers and was a Hobbit in LOTR.
Katrina is an actor, dancer, physical theatre deviser, and choreographer. Since graduating from Toi Whakaari Katrina has worked extensively in theatre performance and creation in NZ and overseas. Recent performance highlights include; Under The Mountain for Auckland Theatre Company, Kororareka: The Ballad of Maggie Flynn for Red Leap Theatre Company, and creating and performing Masina for Touch Compass Dance Company. Katrina is the International Workshop Tutor for Red Leap Theatre Company and has recently directed devising processes in Hong Kong and Singapore. She is a movement/ensemble/theatre making tutor at The Actors' Program, and a dance tutor for Mixit. Katrina worked with Wellington-based company Everybody Cool Lives Here and independent artist Rodney Bell as the Kaitiaki (guardian) of Rodney's work Te Kuuititanga, which she performed in New York. She was also the choreographer and assistant director for Emilia at the Pop Up Globe.
Thomas has been exploring the magical world of circus for over 30 years. He loves the variety, the playfulness, the crossovers to theatre, dance, music & the ‘Yes, I can do it!’ moments of Circus. He studied Rehabilitative Pedagogy in Berlin before setting up 'Circus Fantasia’, with its circus tent, in the city of Rostock, Germany in 1995. He founded Circus Kumarani in Dargaville in 2003, and is now the Creative Director of Circability in Auckland. He’s taught Circus in Germany, Egypt, Myanmar & NZ.
Cherie is a singer, actor, vocal coach, director, producer, and a company director of Last Tapes Theatre Company. She is a graduate of The Actors’ Program, has a double degree in Drama and English from the University of Auckland, and has studied singing for the last 20 years. She is the founder and creative director of Ihi Musical Theatre Company.
Cherie teaches singing to a private studio of students, for The Actors’ Program, as an itinerant teacher, and for The Auckland Performing Arts Centre. Cherie regularly vocal coaches voice and singing for professional productions in New Zealand.
Cherie has been directing since 2011. Recent credits include: Hubbub (Basement Theatre), Love and Information (Asst. Director, Basement Theatre), Swimming With Whales In Tonga (Nelson and Hamilton Fringe), 99% for the Short & Sweet Festival where she won Best Director.
Cherie has been directing large scale musical theatre productions for high schools since 2015, including Seussical, Grease, Threepenny Opera, The Wiz, and The Addams Family.
Cherie co-created and performed in Last Tapes’ show ‘Valerie’ in 2016, named cabaret of the year by The Herald, and most original production at the Auckland Theatre Award. Other acting credits include: Twelfth Night and Into The Woods (Fortune Theatre), The Tempest (Pop Up Globe), Hungover (Basement Theatre), The Last Five Years (Herald Theatre), Verbatim (North Island Tour), and Shortland Street. Cherie is represented by Auckland Actors, and is a proud member of Actors’ Equity.
Tim Wong has been a Stunt Coordinator, Fight Choreographer and Stunt Performer in New Zealand & beyond for over 20 years. He first started as the Frodo stunt double in The Lord of the Rings trilogy and has since gone on to garner over 70 credits across film & television. Tim’s recent Stunt Coordinator or Fight Choreographer credits include Ghost in the Shell, X-Men: Dark Phoenix, Shadow in the Cloud, The Suicide Squad, Without a Paddle, River Queen, King Kong, The Water Horse, The Warriors Way, Spartacus – Blood and Sand, The Hobbit Trilogy, Mad Max: Fury Road, Gods of Egypt, Crouching Tiger Hid-den Dragon 2, Pete’s Dragon, Hacksaw Ridge & The Meg. Tim is dedicated to designing interesting and imaginative action in stunt sequences - his 30 years’ experience in various martial arts equipping him well to handle any style required for fights in any genre. Tim is always researching new ways to bring a fresh approach to his action designs. He is a great believer in actors doing as much of their own stunt work as possible.