Our tutors

Beatriz Romilly

Gal Hockman

Tessa Livingston

Her teaching experience includes recent tutoring roles at The Actors Program, Toi Whakaari, National Youth Drama School, and now Unitec. She has also developed online courses focused on voice technique, character voice safety, and most recently, Agent Ready—a program designed to prepare voice-over artists for industry representation.

With a diverse professional background, Tessa has worked as a registered speech pathologist, vocal and accent coach, voice-over artist, actress, and content creator. She is also the creator and host of The Good Talkers Podcast, a dedicated resource for voice-over professionals.

Jack Powers

Jack is a graduate of Muhlenberg College with a Bachelor’s Degree in Theatre Arts. He began his stage combat journey in earnest there under Fight Master Michael Chin of the Society of American Fight Directors, and proceeded to study under multiple tutors im a variety of weapon disciplines.

Jack holds that dramatic violence as a discipline is an invaluable addition to the actor’s toolbox, and that its study can only add to one’s confidence, virtuosity, and physical presence.

Jim McLarty

Edith Fumarola

Lisa Harrow

In 1966 Lisa won an Arts Council grant to study at England’s Royal Academy of Dramatic Arts, and she was based in England for at least another two decades. A year after joining the Royal Shakespeare Company at age 25, she was starring as Olivia in Twelfth Night — the first time the RSC had offered a leading part to an actress fresh from drama school.

Initially Lisa was devoting more energy to theatre, but in 1976 she won a Variety Club most promising artist award, thanks to an “exceedingly boring” part as partner to vet James Herriot in the first screen adaptation of All Creatures Great and Small. From then on, Lisa was doing a lot more screen work, acting alongside Sam Neill twice in 1980 – Omen III: The Final Conflict, and John Paul II biopic The Man From a Far Country. In 1981 Lisa stared as the first woman member of England’s House of Commons in BBC series Nancy Astor. In 1984 Harrow was finally offered a screen role back in New Zealand: starring in Other Halves. She played Liz, a middle aged pākehā who gets romantically involved with a polynesian teenager with a criminal record. Since then Lisa has done much of her screen work for English television, although many of her more notable roles have been in Australia.

In 2000 she wowed New York in Pulitzer-Prize winner Wit, playing a professor fighting cancer. Since then she has joined Sam Neill in Jessica, an award-winning mini-series based on the Bryce Courtenay novel, starred in Kiwi short Snooze Time (2012), and played live-in mother to the solo parent at the centre of 2014 TV dramedy Step Dave.

In the 2015 New Year Honours, she was awarded a New Zealand Order of Merit for services to dramatic arts.

In 2024 Lisa Harrow played Grandma Magsie in Peter Feeney’s original web-series “Blind Bitter Happiness.”

Matt Baker

Matt is also a script advisor and dramaturg, and is the inaugural New Zealand member of the International Association of Theatre Critics. He has also made appearances in shows such as “Sweet Tooth”, “The Luminaries”, and “Shortland Street”.

Lisa Chappell

Holly Shervey

Peter Feeney

An NZ Pakeha of Irish heritage, Peter Feeney has been a professional actor since 1994, working in UK, US, Australian and NZ Theatre, TV & Film. He runs his own Auckland Screen Acting school, the Actors Lab Studio, and is a guest teacher at Drama schools and for organisations such as MEAA, NZ Equity and SDGNZ. Peter is also a published author and has written numerous articles and several screenplays and books. His handbook on acting, ‘Acting and How to Survive it,’ was published in 2020 to great acclaim.

Peter’s first novel, ‘Blind Bitter Happiness,’ was published by Harper Collins. Since 2020 Peter has written, produced, directed and acted in a limited TV series based on ‘Blind Bitter Happiness,’ now screening on RNZ (www.rnz.co.nz/bbh). In 2005 and 2006 Peter directed and played the title role in the Auckland Seasons and national NZ tour of Michael and Margery Forde’s stage play, ‘Milo’s Wake.’ He is now adapting the play as a TV series.

Peter has performed at the Fortune, Court & Circa theatres in New Zealand, and The QTC in Australia; as well as numerous independent theatre productions. His acclaimed one man show A Night with Beau Tyler toured in 2008 & 2009 to 25 theatres, Festivals and venues around New Zealand. He has worked or trained at different times with Cicely Berry (Royal Shakespeare Company), Bob Benedetti (US Emmy Award winning Television producer and Broadway Theatre Director), Rob Marchand and Dean Carey. Notable credits over a long career include the Kiwi zombie hit Black Sheep; Australian mini-series A Difficult Woman, UK TV Dark Knight and Cold Feet, numerous US TV & tele-features, including Spartacus, 30 Days of Night and Ash versus Evil Dead, as well as playing the iconic Rose Noelle skipper John Glennie alongside Dominic Purcell (Prison Break) in Abandoned (winner of best tele-feature at the 2017 NZ Film Awards).

Peter has a 1st Class Honours degree in Politics & History from the University of Melbourne (1991) and a Diploma in Drama from the University of Auckland (1993). He was Nominee for Best Actor in the 2003 NZ Film Awards for his role in the film The Platform.

He is represented in NZ by Kathryn Rawlings & Associates and in Australia by Lisa Mann Creative Management.

“Peter is a very gifted actor who will always be genuinely interested in exploring his work and finding new approaches to it and opening this out to his fellow actors.”

Cicely Berry, OBE, Voice Director, Royal Shakespeare Company.

Emmett Skelton

Emmett has gained a passion for writing and directing, most recently directing Shortland Street, the film Thirteen Suspects, written by Rachel Lang, and Auckward Love, which he also co-wrote and produced. Emmett is also a regular tutor, mentor and advisor to the board at the Auckland based drama school, The Actors’ Program, and is a co-creator of a new program The Directors’ Program.

Emmett’s passions as a director lie in honest, raw and connected work, with a strong focus on relationships and emotional history.

Joel Tobeck

‘I don’t have classic good looks … but then I’d rather play the off-centre roles. I’m quite happy playing a drug addict or the bastard in the wheelchair.’

Jonathan Brough

He has also made several acclaimed short films including The Model (Official Selection Cannes Film Festival), Permanent Wave (London & Sydney Film Festivals), No Ordinary Sun (‘Best Short Film’ New Zealand International Film Festival 2005 / Official Selection Edinburgh / Hof / Slamdance) and Snowmen (in competition, Interfilm Berlin/ Pacific Meridian Film Festival).

Stephen Campbell

At the end of year Campbell was one of eight out of 40 chosen for two further years of producer training. Allpress then gave him the task of taking the duck images and designing and supervising construction of a new character, Thingee(so named, because no one had thought of a better one). Thanks also to the voice talents of Alan Henderson, co-hosts Thingee and Jason Gunn would win a legion of fans, starting with After School.

In 1989 Campbell headed back to Auckland, to produce five day a week teen show 3:45 LIVE (Campbell alternated directing with John Milligan). The show proved so popular that the first time viewers were invited to ring in and pick their favourite music clip, the Auckland telephone exchange crashed from the strain.

After time on TV3 children’s series Early Bird Show and Yahoo, Campbell freelanced as a writer/director on a variety of sketch comedy series, including Funny Business and That Comedy Show.

He also co-created award-winning magazine show Ice TV. Campbell wrote and directed many of Ice TV’s most popular segments, including ongoing parodies of hospital and cop dramas. “Jon (Bridges), Nathan (Rarere) and Petra (Bagust) were incredibly good on camera,” says Campbell. “They were having a lot of fun and I think it just came across.”

In 2002 he created Greenstone TVʼs ambitious, “gag-heavy” Secret Agent Men. The show revolved around a group of Kiwi teens helping save the world from villains with plans to take over the world. The second season was named best children’s programme at the 2005 Qantas Television Awards, and the show sold to multiple countries.

The longtime superhero fan’s next series was originally pitched as The Fantastic Friends, but the release of Marvel movie Fantastic Four saw it retitled The Amazing Extraordinary Friends. As director and chief writer, Campbell oversaw production through three seasons and two accompanying web series. Although made on a far from heroic budget, the show’s makers didn’t “shy away from galactic androids being chased into the sun.” Another international success, the tale of schoolboy superhero (Carl Dixon) and his grandad (David McPhail) was nominated for awards in Rome and NZ, and picked up another in Korea.

Campbell went on to direct and contribute writing to Nigel Lattaʼs The Politically Incorrect Guide to Teenagers and The Politically Incorrect Guide to Grown Ups, which saw Latta doing pieces to camera everywhere from jet cockpits to glaciers. Campbell also directed on follow-up show The Hard Stuff.

In 2012 he produced The Radio, which saw Jeremy Corbett and Paul Ego playing incompetent radio hosts.

In 2015 Campbell debuted his next show. Science fiction thriller The Cul De Sac centres on a group of teenagers who wake up to find all the adults have mysteriously disappeared. The ambitious, twist-filled dystopia ran for three seasons. Campbell directed all but three episodes.

Roseanne Liang

In 2005, Liang released her hour-long documentary Banana in a Nutshell, based on her own romance with a European Kiwi “Banana in a Nutshell was originally a short documentary I devised to distract me from the highly emotional events that I knew I would have to get through.” said Liang. “The camera was something to hide behind.” The title refers to Asians (yellow on the outside) brought up in Western society (white in the inside). Liang continued the story with a 30 minute epilogue for the film’s DVD release.

At Banana in a Nutshell’s premiere, producer John Barnett offered Liang the opportunity to turn her documentary into a narrative feature. Liang has described it as an “‘angels chorus’ moment”. “Most film graduates want the opportunity to make a feature film and it’s a really hard road. But to have someone stride up to you and offer it to you is an incredibly lucky happenstance.” In 2005 Liang was named New Filmmaker of the Year by screen organisation SPADA.

In 2017, Liang signed with an American agent, after directing action short Do No Harm. The bloody action film, which premiered at the 2017 Sundance Film Festival, is about a Chinese surgeon facing off against gangsters just as she’s about to operate. The film was funded by the NZ Film Commission as a proof of concept for an action film Liang was developing. Do No Harm won several awards, including the Audience Award for favourite short at the 2017 NZ International Film Festival and a nomination for Best Short Film at Sundance.

By 2018, the success of Do No Harm and My Wedding and Other Secrets had brought Liang to the attention of the 50 studio executives and producers behind the Alice Initiative, named after pioneering female filmmaker Alice Guy Blaché. They named Liang as one of 20 female directors from around the globe who merited a directing gig with a Hollywood studio.

In late 2018, Liang announced she was set to develop and direct the feature-length version of Do No Harm, produced by husband and wife filmmaking team David Leitch and Kelly McCormick (Deadpool 2, Atomic Blonde).

Nikki Si’ulepa

Rita Stone (BPSA, Dip Tchg)

In 2000 she founded the Legacy Theatre Company; directing, producing and/ or performing in outdoor productions of A MIDSUMMER NIGHT’S DREAM (Dir Rita Stone, 2000), MEASURE FOR MEASURE (Dir Richard Rugg, 2001), THE TAMING OF THE SHREW (Dir Jarrod Tuck, 2002), and AS YOU LIKE IT (Dir Tim Faville, 2004), as well as coordinating Theatre in Education schools’ tours around Auckland of abridged Shakespeare scenes.

Rita traveled to London in 2004 and took a course at Shakespeare’s Globe, returning again in 2011 with the Shakespeare Globe Centre NZ (SGCNZ)’s ‘Teachers Go Global’ scheme, where she trained at the Globe Education Centre and performed in MUCH ADO ABOUT NOTHING, directed by Bill Buckhurst, on the Globe stage.

Rita holds a Secondary Teaching qualification in English and Drama and was Assistant HOD of Drama at Western Springs College in 2011. For Western Springs College, Rita has directed A MIDSUMMER NIGHT’S DREAM, OUR TOWN, TWELFTH NIGHT and MOTHER COURAGE AND HER CHILDREN – for which she won Outstanding Play at the 2011 AMI Showdown Awards and was nominated for Best Director. She was the SGCNZ University of Otago’s Sheilah Winn Shakespeare Festival Auckland Central Representative 2010-2011, and in 2013 she directed an all-female production of MEASURE FOR MEASURE at the Titirangi Theatre.

In 2012, Rita founded the Young Auckland Shakespeare Company which produced THE TAMING OF THE SHREW (Dir Rita Stone, 2012), and MACBETH (Dir Jaque Drew, 2013-2014) ROMEO & JULIET (Dirs Paul Gittins and Calum Gittins, 2015), MUCH ADO ABOUT NOTHING (Dir Rita Stone, 2016) and THE MERRY WIVES OF WINDSOR (Dir Stuart Devenie, 2017).

In 2016 Rita directed LUCRECE (“…a visually stunning show”) for the Auckland Shakespeare Company, and for the Pop-up Globe she directed the gender-reversed JULIUS CAESAR (“‪… a plethora of strong performances aided by Stone’s direction and a fresh take on the classic play mean it’s not one to miss.”) in 2018.

Vincent Ward

“I’m interested less in objective or social realities than in private realities, so it’s a special kind of landscape I’m exploring, an interior landscape”

Lori Dungey

Matt Dwyer

Greta Gregory

Harriett Maire

Harriett began her journey as an actor, before realising she was better suited for the other side of the process. She is also a director, represented by Film Construction. Harriett’s breadth of experience gives her a holistic understanding of the film industry, and enables her to be a comprehensive and empathetic Casting Director.

As well as casting through traditional acting agencies, she also does a lot of community casting – working to create a safe space for people who haven’t auditioned before.

She enjoys creating a relaxed and collaborative energy in her casting room. She understands that we get glowing performances from people who feel comfortable and confident.

Cherie Moore

Cherie teaches singing to a private studio of students, for The Actors’ Program, as an itinerant teacher, and for The Auckland Performing Arts Centre. Cherie regularly vocal coaches voice and singing for professional productions in New Zealand.

Cherie has been directing since 2011. Recent credits include: Hubbub (Basement Theatre), Love and Information (Asst. Director, Basement Theatre), Swimming With Whales In Tonga (Nelson and Hamilton Fringe), 99% for the Short & Sweet Festival where she won Best Director.

Cherie has been directing large scale musical theatre productions for high schools since 2015, including Seussical, Grease, Threepenny Opera, The Wiz, and The Addams Family.

Cherie co-created and performed in Last Tapes’ show ‘Valerie’ in 2016, named cabaret of the year by The Herald, and most original production at the Auckland Theatre Award. Other acting credits include: Twelfth Night and Into The Woods (Fortune Theatre), The Tempest (Pop Up Globe), Hungover (Basement Theatre), The Last Five Years (Herald Theatre), Verbatim (North Island Tour), and Shortland Street. Cherie is represented by Auckland Actors, and is a proud member of Actors’ Equity.

Sheena Irving

Tim Wong

Mark Mitchinson